Psychologist Abraham Maslow developed his “Hierarchy of Needs,” a model for psychological health, based on the yogic system of seven energy systems in the body, called “chakras.”
According to
traditional educational practices, we build upward on a solid foundation
codified in Maslow’s five-part pyramid: (1) safe walls, warmth, proper
ventilation, food, water, time-outs, sanitation; (2) a safe place to park our
cars, security systems, vetted teachers and staff; (3) loving teachers, staff,
and friends; (4) opportunities for high
grades, awards, career opportunities; (5) support and appreciation for our
individuality, originality, interests.
Naturally, I believe in creating an environment in which my students feel safe, secure, loved, confident, and special. But as a practicing yogini for almost 40 years and a certified yoga teacher, I decided to return to the original system of chakras to articulate more deeply where I believe contemporary education, imprisoned by assessment systems, stop teachers and students alike from reaching the stage of self-actualization. I have adapted Maslow's pyramid to reflect on teaching and classroom dynamics.
Naturally, I believe in creating an environment in which my students feel safe, secure, loved, confident, and special. But as a practicing yogini for almost 40 years and a certified yoga teacher, I decided to return to the original system of chakras to articulate more deeply where I believe contemporary education, imprisoned by assessment systems, stop teachers and students alike from reaching the stage of self-actualization. I have adapted Maslow's pyramid to reflect on teaching and classroom dynamics.
The chakras correspond to sections of the physical spine that send energy to various portions of the body. Starting at bottom center there are seven: root, reproduction, solar plexus, heart, throat, eye, crown of head. To the left, I inserted the human need these chakras serve: Survival, Security, Power/Intellect, Love, Communication. The top two chakras move us into what psychologist Mihály Csikszentmihályi calls “flow”—absorption, fascination, freedom. On the right, I wrote the predominant psychological state for each level: anger/fear, manipulation, focus, generosity, honesty. The top two stages lead to ultimate joy and bliss. Bracketed, in the center, are my pedagogical correlates. And here is where I want to focus for this post.SURVIVAL STAGE
Most
of our educational practices focus on the bottom three chakra dynamics. At its extreme, a class stuck in the survival
stage is fraught with anger, fear, and frustration on both sides of the teacher’s
desk. Everyone will be constrained by strict
requirements, grades, digitalized assessment, getting-it-over-with, and the
need to escape. Questions will tend to
be of the yes/no or multiple choice variety. Entrained to be vigilant
people-pleasers, students will be constantly afraid of being wrong. Teachers will,
in turn, be afraid of the disapproval of their superiors and the possible loss
of their own jobs if students don’t measure up to assessment criteria. Student
and teacher will gossip about how awful each other is. Negativity, robotic actions, and despair
reign.
Bogged down in this stage, teachers will be focused on
reproducing their own beliefs and ways of thinking in their students—attempting
to clone themselves. Teachers will
chronically ask “guess what I’m thinking” questions. The subject matter—whether science or
literature—will be treated as normative systems; that is, built on a foundation
of accepted laws, algorithms, and dogma.
Teachers will manipulate students to, as in the first stage, “get things
right”—a.k.a. be me. Some students will thrive at this stage,
because, not having to think for themselves, they can just give the teacher
what he wants and make the grade. Other students will balk at the lack of
freedom and act out in different ways, mostly to their own detriment.
POWER STAGE
All three bottom stages are about exerting power over others: think what I think, do what I want you to do. But in stage three we are introduced to the
possibility of disagreement and intellectual discourse and argumentation
(without the anger or manipulation of the Survival and Security stages). Teachers will ask open questions and create
an environment of lively discussion.
Nonetheless, there is still a hierarchy and power structure in place: the teacher is, de facto, the ultimate expert: the last, and too often only, word. Students who prefer the security stage will
be more challenged in this stage because they will have to take some responsibility
for their own thinking.
LOVE STAGE
The very name of this stage will make those who are
devoted to the bottom three stages balk.
But the bottom three levels are where our educational systems
falter. And there is nothing negatively “touchy-feely,”
the usual slur on non-traditionalists, about the Love Stage. What’s true is that there is nothing positive
about students losing the sense that they have their own minds or
experiences. Stuck in the bottom three
stages, students are more vulnerable to falling into addictive use of social
networks, games, substances, YouTube, and Netflix. We have an innate need for
freedom and these first three stages can imprison us.
Psychologist L. S. Vygotsky coined the term “zone of proximal
development” to identify where learning happens: on the edge of what the
student and cannot do for herself.
Teachers stuck in the Survival, Security, and Power stages rarely take
the time to discover the zone where an individual resides—too desperate to get through
their lesson plans and reassert their ascendancy.
One
of the first things I ask my literature and writing students is “What do you love
to read?” The question stuns most of
them. Rarely has anyone, let alone a
teacher, asked them that. School has
been about prescription and proscription: read this, don’t read that. With some rare exceptions, they will not cite
what they have read for classes. They
devolve into genres and texts that are not taught—it is an expression of the
need for self-regulation.
If we are in a course that promises certain texts—as in
my Shakespeare or Emily Dickinson course—I ask them of the readings for the day
Did you like it? Where?
What did you not like? Why? In
this, I am decentering myself as the source of knowledge—given the climate of
our education, that reads as an act of sharing of power, an act of
generosity. What they have to offer—their
giving, their generosity—is encouraged (a word derived from corage—to give heart to). The classroom becomes a place of mutual
appreciation and discovery.
COMMUNICATION STAGE
In
the Communication Stage, the classroom is based on trust and honesty. Students and teachers alike openly express opinions,
share experiences, are open about emotions.
INTUITIVE STAGE
In the Intuitive Stage, a class becomes a place of
energy, creativity, experimentation. Students and teachers draw on their intuition. The syllabus is adjusted to allow for spontaneous
adventures and activities.
INSIGHT STAGE
In the INSIGHT STAGE, a class scintillates with new ideas
and inspiration.
Students learn who they
are, what they need, and why. They
actualize their individuality.
ILLUSTRATION
To
illustrate these stages, consider what happens in a literature class focused on
the various stages:
Survival Stage: Paraphrase, summary, focus on
plot. Frequent short quizzes to proctor students’ reading and comprehension.
Security Stage: Focus on teacher’s interpretations
and canonical criticism. Prescribed essay assignments with given points to cover in
mechanical formats, such as what illustrator Sandra Boyton depicts as the five-paragraph
dinosaur.
Power Stage:
Prescribed discussion questions and detailed instructions for group
work. Creative thinking is treated as an end point,
not a beginning.
Love Stage:
Student input on choice of texts, discussion direction, and
self-evaluation.
Communication Stage: Creative and critical thinking, helping
students individuate.
Intuition Stage: New perspectives and interdisciplinary
projects. Spontaneous activities and experiences. In the proximal zone of development. In the flow.
Insight Stage:
Students, having formed a supportive community and gained confidence in themselves, are self-motivated and inspiring to others.
FLIP THE PROCESS
Some will argue that, in the case of literature, we
follow the normative model of sciences where there are strict protocols that
follow what I posit as the traditional pyramid of learning. That was a
political decision made in the last century, when the literary world was attempting
to garner credibility so that they could form departments at universities. If we must follow a Survival model that
prescribes linear and hierarchical systems, let’s at least start at the Love
Stage. Ideally, education should have
the heart at the heart and not devolve or be mired in the Security and Survival
stages. Let education acknowledge children’s free, intuitive, synesthetic, and
unguarded experiences. Instead of instilling
anger and fear—inspire trust, wonder, discovery, and love. Instead of manipulating
them to be our clones—inspire them to realize their joy.
Works Cited
Boyton, Sandra. Oh My
Oh My Oh DINOSAURS. Boston: Boyton, 2012.
Csikszentmihályi,
Mihály. Flow: The
Psychology of Optimal Experience. New York: Harper, 1990.
Maslow, Abraham. Religions, Values, and Peak Experiences, Columbus,
Ohio: Ohio State UP, 1964.
Vygotsky, L. S. Mind in
society: The development of higher psychological processes. Cambridge: Harvard UP, 1978.